postmortem
We had plans to see The Dark Knight over the weekend, but our sitter had an emergency and we waited until last night. I will not spoil anything by saying wow.
Three years ago when we went to see old IMAX Batman Begins, it was my Father's Day offering in my usual game to win Foxiest Wife Evah. I expected nothing. It was to be another comic-book movie I would simply endure in good humor. About 40 minutes into the film, I was leaning forward, elbows on knees, left forearm limp, chin on heel of right hand, pinky fingernail in slightly-open mouth. This has long-long been the posture I reflexively assume in the face of something like attention-consuming rapture.
By contrast, last night at the movies, I was just flattened as if by a train. I barely moved a muscle for the whole 2.5 hours. Wow. The lagniappe was for me the grand feature of the glamorous exteriors of my hometown. In fact, I started to get a little worked up during the major chase scene down LaSalle -- for a film that was not nominally set in Chicago, it was not shy about showcasing much of its brilliance -- and was mightily distracted by the full-frontal nudity of the Board of Trade building.
Some time later, when an aerial shot revealed a clear day above the river and its file of downtown bridges, I burst into real tears. I do not think Mari was surprised, but I could not believe. But I then again I can. I get homesick for living in a place so balls-out gorgeous as Chicago, though my aesthetically-based homesickness was salved mightily by old Algren last Christmas. Certainly weary of my endless disparagement of this or that northeast corridor city for the dubious dishonor of not even having pretty streetlights or at least bridge footings -- "Femme, you are from Chicago. That is like being from Paris." I will allow that and have since eased up on the aesthetic intolerance just a tiny bit.
It gets caught in my throat how beautiful it is there. Certainly I never realized until I was almost-30 that most of the world has not grown up with an assortment of Gothic and Art Deco buildings on their skyline and in a profusion such that they are workaday taken for granted. But I was always drawn to the visuals, looking at them, knowing them. Having the landscape as the same for other people from other places with favorite trees or sandy coves or stretches of beach. So much of my unaccounted-for time as a girl was spent being lured, being willing, for favorite buildings with favorite features and times and places to be with them, like orienteering an architectural forest. Flying buttresses and glorious gargoyles and the prettiest elevator doors in the world.
Aside from the location shots, the movie was pretty much just ... wow. I got pretty distracted in the outset by the Watchmen preview and then was not really expecting much, my usual fear-of-commitment, cold-feet movie issues, plus the whole Heath Ledger thing to me was jangling. I was telling the Israeli last week that I thought there would be something v unsatisfying, something on which I could not put my finger, about Ledger's last turn being The Joker. That I would feel better if Brokeback Mountain had been his last. The Israeli offered as a solution the same thing my husband had, that maybe surely because it was Ang Lee, etc, acclaimed, accolades, the end.
I told him that was not it. I cast around in my mind for a bit to try and find myself on the matter, but could not. We talked about what we expected from the film, the comics, etc, and left it at that. But last night, I figured it out: Brokeback Mountain would have been a complete, closed circuit. He would have been lauded forevermore, memorial accolades from the Academy, the Library of Congress, the Roy Rogers Foundation, Log Cabin Republicans, yaya, whatever. Fine & good. But also this: had Brokeback Mountain been his last, no one would be crying their eyes out or even sighing into their pint of ale over the abrupted gay cowboy franchise ("There will never be a better, more-textured, gayer closeted cowboy than Heath!") But The Joker, wow, man; he hath been performed definitively. There is no going back. We will have to hold this in our hearts, which is a weird thing to say about a comic-book movie and so I am unsatisfied by this, as I suspected I would be.
Because we were out past 1 a.m., we are at half-power. It is not too hot, so I took advantage of the torpor to make some jam, which seems industrious but is mostly only poking with a spoon.
I cannot get the Dead's "Sugaree" out of my head.
Fillette wanted to pick blackberries last week at the farm, which, um, do not taste good. We worked so hard for our 3 quarts of raspberries that we vacillated between finding them too precious to just eat and also resenting them for being so much in labor. So, jam is a good thing to have. I canned the jam for the first time ever. Usually, I just make it and put it into tiny plastic-lidded containers and freeze it, taking it out as I need it.
Someone asked me, "you don't have to can to make jam?" And, "no" is the answer, though I was surprised to learn that also, just a few years ago, and felt as if I were the last ignorant fool to know. Jam can be cooked and will be stable in the freezer for a few months or if it will be used quickly, as in if you have little children for whom you only buy plain yogurt, it keeps in the fridge for at least a week. I was all disbelieving and low-expectations and certain I was just putting it in jars for show to keep it in the fridge, and then I heard the little *pop* of the lids sealing and was so excited! I canned! We will never eat it! We will save it for the apocalypse and simply admire it until then!
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